This small inclusion makes sneaking through the dark tunnels an incredibly tense ordeal, as you hunt for safe havens while you carefully check for your next objective. Pressing one button will raise the clipboard and another will use Artyom’s lighter to illuminate it. And if you find yourself in a dire situation, it's possible to use them as ultra-powerful, albeit very expensive, bullets.Īs you might expect, pressing the select button will bring up your objectives, but instead of pausing the game and presenting a menu, everything happens in real time via a clipboard. It can be looted from bodies or found in pouches throughout levels and used to purchase ammo, weapons, or weapon upgrades. Rather than standard money, a specific type of ammunition has taken over as currency. When engaged in combat, gas masks can become cracked and may even shatter entirely, forcing you to search for bodies of the deceased that no longer require them. When travelling above-ground, you must take care to have a good number of oxygen filters for your gas mask at all times, as each one lasts for just five minutes and must be replaced manually – as indicated by a timer on the watch around Artyom’s wrist. Crashed cars and planes, destroyed buildings, and skeletons litter the landscape, making a gas mask a mandatory requirement to prevent suffocation in the noxious atmosphere that envelops you. Likewise, as you gingerly venture to the surface, it’s a grim scene that greets you. Last Light doesn’t shy away from a realistic and grisly interpretation of its source material, and it certainly doesn’t suffer for it. When you first make your way into unpopulated tunnels, the amount of carcasses, of various states of decomposition, is astonishing. Water droplets form on your screen, reflecting light, and the use of said lighting is some of the best that we’ve ever seen – the attention to detail is really impressive.Īnd it doesn’t stop there. While we’re used to praising the graphical fidelity of games like Journey and Uncharted, this is predominantly influenced by their use of colour, but given the nature of being underground, Metro somehow manages to make brown look amazing. Communities you come across feel very alive, and although the game is linear, it does allow for some exploration where you’ll witness the day-to-day lives of the survivors, from domestic disputes to children being told stories of ‘the old world’ and market stall owners struggling to make a living from selling their wares. One of Last Light’s greatest assets is the richly detailed world that acts as your stomping ground. While the other two factions rarely bother the Order, a plot is uncovered that implicates the lives of every survivor. Finally, there’s the Spartan Order – of which Artyom is a Ranger – who busy themselves protecting the metro from the threat posed by the ‘demons’. The Reds are all that have survived of Russia’s communist past, believing strongly in equality for all, but as real world events have proven, this doesn’t work particularly well. The Nazis are feared for their ruthless extermination of anyone that they consider ‘mutated’, and their imprisonment of men and women in large, cramped prisons. While the freakishly mutated ‘demons’ roam the surface and abandoned areas of the metro, the survivors have gone on to form small communities, and there are three major factions that are constantly at one another’s throats. Set in the metro systems of Mother Russia several decades after a nuclear apocalypse, Last Light follows Artyom, one of 40,000 survivors that now populate the tunnels. Based on the novel by Dmitry Glukhovsky, Metro: Last Light is the sequel to 2010’s Metro 2033, and although the post-apocalyptic shooter never arrived at any Sony stations, its successor pulls out all of the stops to make up for lost time.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |